Erin and Rachel discuss the classic hybrid film, Mary Poppins. Although Julie Andrews’ famous nanny may be “practically perfect in every way,” the co-hosts find plenty of flaws in the 1964 film’s messaging on family values, gender roles, and classism.
Episode Summary
Erin and Rachel discuss the classic hybrid film, Mary Poppins. Although Julie Andrews’ famous nanny may be “practically perfect in every way,” the co-hosts find plenty of flaws in the 1964 film’s messaging on family values, gender roles, and classism.
Episode Bibliography
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Nel, P. (2019). Was the Cat in the Hat Black? Oxford University Press.
Ness, M. (2014, April 3). A spoonful of music makes the nanny: Disney’s Mary Poppins. Tor.com. https://www.tor.com/2014/04/03/a-spoonful-of-music-makes-the-nanny-disneys-mary-poppins/
Nym Mayhall, L. E. (1999). Domesticating Emmeline: Representing the suffragette, 1930-1993. National Women's Studies Association Journal, 11(2), 1-24.
Robb, S. (2008, July 21). How not to do an American accent. BBC News Magazine. Retrieved November 13, 2020, from http://news.bbc.co.uk/2/hi/7509572.stm
Stevenson, R. (Director). (1964). Mary Poppins [Film]. Walt Disney Productions.
Szumsky, B. E. (2000). “All that is solid melts into the air”: The winds of change and other analogues of colonialism in Disney’s Mary Poppins. The Lion and the Unicorn, 24(1), 97-109.
Travers, P. L. (1934). Mary Poppins. Harper Collins.